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METHOD:PUBLISH
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DESCRIPTION:Description\n"My sarabandes get sluggish." "This allemande feel
 s boring." "How can I make this gigue swing more?" "I'm getting confused i
 n this courante!" - If any of these feelings apply to you\, I hope you'll 
 join in to get to the root of the issues! Join Teddie Hwang (chair NFA His
 torical Flutes Committee) in learning about the 4 main dance dances of a b
 aroque suite: Allemande\, Sarabande\, Courante\, and Gigue. Emphasis is pl
 aced on practical aspects of playing such as phrasing\, articulation\, sou
 nd production\, and the treatment of inequality. We will also examine what
  are the common technical challenges in each of these dances and learn how
  to overcome them. ALL FLUTE PLAYERS\, regardless modern or baroque\, are 
 warmly welcomed!\nFee\n€180\, student rate €100
DTEND;VALUE=DATE:20260621
DTSTAMP:20260716T011713Z
DTSTART;VALUE=DATE:20260307
LOCATION:Virtual Event
SEQUENCE:0
SUMMARY:Teddie Talks Traverso: How to Play Baroque Dances on the Traverso
UID:RFCALITEM639197614334360622
X-ALT-DESC;FMTTYPE=text/html:<h4>Description</h4>\n"My sarabandes get slugg
 ish." "This allemande feels boring." "How can I make this gigue swing more
 ?" "I'm getting confused in this courante!" - If any of these feelings app
 ly to you\, I hope you'll join in to get to the root of the issues! Join T
 eddie Hwang (chair NFA Historical Flutes Committee) in learning about the 
 4 main dance dances of a baroque suite: Allemande\, Sarabande\, Courante\,
  and Gigue. Emphasis is placed on practical aspects of playing such as phr
 asing\, articulation\, sound production\, and the treatment of inequality.
  We will also examine what are the common technical challenges in each of 
 these dances and learn how to overcome them. ALL FLUTE PLAYERS\, regardles
 s modern or baroque\, are warmly welcomed!\n<h4>Fee</h4>\n€180\, student r
 ate €100
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