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Prokofiev’s Sonata in D Major, Op. 94: Considerations for Performance Authenticity 75 Years Later

Below are the audio examples cited in the article “Prokofiev’s Sonata in D Major, Op. 94: Considerations for Performance Authenticity 75 Years Later” by Harper and Porter-Occeña in the summer 2020 issue of The Flutist Quarterly.

 

 

Example 4.

David Oistrakh’s recording of op. 94bis for Colosseum.   

 

Example 5.

Isaac Stern’s recording of op. 94bis for Columbia Masterworks.

 

Example 6.

Rampal’s 1955 Supraphon recording.

 

Example 7.

Doriot Anthony Dwyer’s recording of Sonata in D, op. 94, for Boston Records.

 

Example 9. 

Marseau’s 1957 BnF recording.

 

Example 10.

Gazzelloni’s recording for Angelicum Italy from 1959.

 

Example 11.

James Galway’s recording for RCA in 1975.

 

Example 12. 

Zverev’s 1976 Vsesoyuznaya Studia Gramzapisi recording

 

 

 

Posted July 14, 2020.
Although all articles in FQ Plus are edited and reviewed for accuracy and relevance, the NFA as an organization does not endorse any of the organizations, websites, or other online resources referenced in articles posted in FQ Plus.
The Flutist Quarterly
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